There's been a long time and somewhat baffling fascination with combining the photography of cars with women. I sort of understand it at a "primal man level" (lowers brow, grunts, shiny car, pretty girl). But in the end the practice does neither subject justice if for no other reason than size discrepancy. Back far enough to see the car, can't see the girl, and vice versa. None of this applies to brick-built silhousaics though, like this latest masterpiece by Bricks Noir.